About · biography · 01

Nice to meet you,I am Mara.

I have spent twelve years photographing people. I grew up between Galicia and Oaxaca, studied film in Cuba, and one day decided that I preferred the silence of the set to the noise of the theater. Ever since, this.

XIIyears of craft
IXawards won
IVpublished books
IIbase cities
Portrait no. xiv Self-portrait
Notebook · 02

How I
work.

A session begins two weeks prior. I need to get to know the person — not their poses, but their music, the scars they wear with pride, the coffee they drink in the morning. Without that initial conversation, it's just scenery.

I shoot almost entirely with natural light and analog film for intimate portraits. The digital camera comes out when speed is needed — campaigns, fashion editorials, film sets. Every format demands its own tempo.

I do not retouch skin. I don't remove beauty marks, grey hair, or wrinkles. If someone is looking for that, there are better photographers; I prefer to capture what is truly there.

"A good photograph doesn't show what the photographer saw, but what the subject was keeping inside. My job, most of the time, is simply to wait."

Timeline

2013 — 2026
twenties
2026Slow TidesEditorial published in Vogue Latin America — ten pages on the Cantabrian coast.
2025House of SaltShort film shot in 16mm — official selection at the Malaga Film Festival.
2025Hasselblad AwardSpecial mention in the editorial portrait category for the "Sisters" series.
2024Book: Pueblo BlancoRM Editorial. 144 pages, documentary photography in Andalusia.
2023Opening CDMX StudioSecond location in Colonia Roma — two in-house assistants.
2022FONCA GrantArtistic residency program — one year in Oaxaca.
tens
(early days)
2020Year of LockdownPhotographic diary from the window — 273 days, one image a day.
2018First AssistantLoewe campaign set — I learned more in three weeks than in four years.
2016EICTV CubaInternational Film School — specialized in cinematography and direction.
2013First CameraA Pentax K1000 inherited from my father — I still keep and use it.
Gear · 03

The kit.

I don't believe in the perfect gear, but in the gear you know. These are the tools I have been working with for years, all inherited, borrowed, or bought second-hand.

  • Pentax K1000 1976 · 50 mm
  • Hasselblad 500 c/m 1981 · medium format
  • Leica M6 1992 · rangefinder
  • Bolex H16 1958 · 16 mm cinema
  • Sony A7r IV 2019 · digital
Processing · 04

Lab.

I develop at home whenever I can. For scanning and fine prints, I work with two laboratories that I respect deeply.

  • Carmencita Film Lab Valencia · 35 & 120
  • VSCO Color Co. Brooklyn · digital scanning
  • Pro Lab Madrid Madrid · baryta print
  • Private darkroom B&W · printing
Collaborations · 05

They have trusted me.

Vogue Latam
Loewe
Bimba y Lola
El País Semanal
Apartamento
Filmin
Netflix MX
Mango
GEO España
Cervezas Alhambra
RM Editorial
Festival Málaga